萨沙·斯坦尼西奇（Saša Stanišić），1978年生于波斯尼亚，14岁时作为波黑战争难民移居德国，用德语写作。现居汉堡。2005年发表处女作《士兵如何修理留声机》，获英格博·巴赫曼文学奖“读者最喜爱作品奖”。2014年出版《我们与祖先交谈的夜晚》，登上《明镜周刊》畅销书排行榜，获2014年莱比锡书展大奖，入围德国图书奖长名单。 译者：韩瑞祥，1952年生于陕西省礼泉县。北京外国语大学教授，博士生导师，中国德语文学研究会副会长，享受国务院政府特殊津贴。曾先后两次任奥地利萨尔茨堡大学日尔曼语言文学院客座教授。

In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory. Arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive, he asserts that there is "another Lacan" in reference to whom film theory, cultural studies and critical thought as such can be transformed and revitalized. He supports th...(展开全部)

In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory. Arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive, he asserts that there is "another Lacan" in reference to whom film theory, cultural studies and critical thought as such can be transformed and revitalized. He supports th...(展开全部)

In the latest offering from the Magic Tree House series, Mary Pope Osborne treats readers to an inside look at one of her favorite subjects -- the theater. Jack and Annie are whisked back to Elizabethan England where they meet the Bard of Avon himself, William Shakespeare, and luckily for them he is desperate for two small actors for his latest play A wonderful adventure as we...(展开全部)

萨沙·斯坦尼西奇（Saša Stanišić），1978年生于波斯尼亚，14岁时作为波黑战争难民移居德国，用德语写作。现居汉堡。2005年发表处女作《士兵如何修理留声机》，获英格博·巴赫曼文学奖“读者最喜爱作品奖”。2014年出版《我们与祖先交谈的夜晚》，登上《明镜周刊》畅销书排行榜，获2014年莱比锡书展大奖，入围德国图书奖长名单。 译者：韩瑞祥，1952年生于陕西省礼泉县。北京外国语大学教授，博士生导师，中国德语文学研究会副会长，享受国务院政府特殊津贴。曾先后两次任奥地利萨尔茨堡大学日尔曼语言文学院客座教授。